With all the current talk of Rover’s pending collapse I thought I’d take some time and look back at the early days of the current MINI back when it was as much in Rover’s hands as BMWs. I would guess that quite a few MINI owners don’t know much about the rather turbulent and interesting history of the MINI in the 1990’s. That turbulence is reflected in the concepts that BMW and Rover built in the mid 90’s and the design process that surrounded them. (portions originally posted 6.27.04)
Various government backed companies that manufactured the Mini through the years were less than successful on the business side of things. In fact British Leyland, Rover, etc tried to kill the Mini more than once (first to avoid converting the engine to run on unleaded, then to avoid increasing safety requirements) but English public opinion was too negative. So when BMW bought Rover and the Mini there was quite a bit of hope for the future.
Here’s an excerpt from an account of this time period from Julian Rendell (taken from an article originally published in Autocar) that gives us a good overview of the design process and environment of the time:
Despite the proclamation of the BMW CEO, that Rover would be allowed to get on with the business of developing the R59 (as it was called in the early years), stylists in Germany were also busily working on styling proposals for the new car. From the original perception that BMW and Rover both wanted the same thing from their new baby, it became clear that Munich and Canley had wildly differing ideas on how it should look. Predictably, Rover wanted to produce a car to replace the Issigonis Mini which was created with the same sense of radicalism, and David Saddington, freshly promoted to the role of MG and Mini design director, following his successful work on the R3 was keen to follow in the footsteps of Issigonis. With that in mind, Saddington’s team worked on a 10-foot long, four-seater Mini.
Certainly David Woodhouse and Oliver Le Grice, another designer who worked on the 1993 project looked forward with relish the prospect of working on such an important project, but they were mindful of the fact that the new Mini needed to be either an economy car, a performance car or a fashion icon. To try and be all three in an all-new package was not, in their opinion, going to work.
BMW, on the other hand under Chris Bangle, were cooking up different ideas completely: Both in Munich and BMW’s California styling studios, a new Mini-Cooper was emerging. Chris Bangle stated that, “we thought it unfair to put the new Mini in the shadow of the old one”, which meant that his idea of a replacement would not be a 10-feet long cube, but a car that paid merely lip service to the original. BMW thinking, therefore, was that the new car should be the new Mini Cooper as opposed to the new Mini – and replacement in this form had a high profile proponent: Wolfgang Reitzle of the BMW Board.
Development of the Mini continued in Germany with this very much on the designers’ minds – and they asked themselves this question: If the Mini Cooper had been subjected to a continuous development programme through the years, like the Porsche 911, what would it look like today?
And that was the issue in its entirety: Rover wanted an economy car, whilst BMW wanted a small sporting car.
1995 was the crunch year for project R59 and in the summer of that year during a management ride and drive appraisal of the opposition, Rover showed their idea for the new Mini. Technically, it followed the predictable (and some would say correct) path of a K-Series engine, subframes and Hydragas suspension, but BMW in Munich were cooking up an alternative, which comprised of a Z-axle at the rear and McPherson struts up front.
As the year wore on and both teams continued development of their own versions of the Mini, it was becoming obvious that very soon BMW would have to ditch one of the design offices’ ideas and put their full weight behind the other. The date, where this decision would be made was the 15th October 1995, when Rover and BMW designers met up at the Heritage Motor Centre to present their rival full-scale proposals. Rover brought three cars to the shootout, it is unrecorded how many BMW brought along, although it is thought to have been between three and six.
Development on some of the Rover concepts had taken place independent of BMW which had created what would eventually become the E50 and then the R50 – the new MINI. Here’s another excerpt, this time from Graham Robson’s “New MINI” book, that gives us a slightly different angle of this time period:
“Even as early as 1994, designers on both sides of the channel dusted off their sketches of Mini-sized cars and started turning them into models, both scale and full size. Though neither knew that the other was running rival projects, Fave Saddington looked after MINI work at Gaydon, while Frank Stephenson (an American citizen with much experience at GM and Ford before he joined BMW in 1991) forged ahead in Munich.
Even so, it was not until an absolutely seminal date – Tuesday, 17 October 1995 – that the two teams faced each other, when their respective offerings were shown to BMW’s directors at a presentation and viewing at a top-secret meeting in the BMIHT Heritage Centre at Gaydon.
Knowing that the integrity of the MINI brand had to be preserved at all costs, both teams – British and German – had thought in terms of evolution. After 1959 the Mini, as a style, had not advanced at all, so several ‘might have been’ re-generations had never taken place.
Both teams, therefore, tried to think along the same lines. What might have happened, how might it have happened, and what should a forth or fifth generation Mini look like?
The two concepts that came out of the Rover side of the design team were the Spiritual and the Spiritual2 (seen here in dark blue). The two Spiritual concepts were much more a radical departure from the design that eventually won out. They tried to be as revolutionary in the 90’s as the Mini was in late 50’s. Designers tried to envision a future of more cars, more people, less space and more expensive fuel. In a sense they tried to push the same set of circumstances that led to the original Mini a bit further. In one of the more radical departures in terms of original Mini design the Spiritual was to have a flat three cylinder located under the rear seats driving the rear wheels!
Rover’s press release at the time called the Spiritual 2 “a full four-seat family car achieved in a package of just 3.1 metres [10 feet, the same as the original Mini and much shorter than the MINI]”, Interestingly even the press release that accompanied the prototypes at the time of release mentioned that they were never really meant to be the “new Mini”. They were meant to simply be “a free-thinking approach to the long-term challenges of a future generation.” Of course now we know that they were indeed proposals for the next Mini. In fact the Rover design team left that October 17th meeting with relatively high hopes that their design was to be chosen. Here’s another excerpt from Robson’s book:
“Leaving the meeting with the impression that their offerings had been preferred over the massed ranks of MINI (BMW) offerings, they were soon cast down when it became clear that BMW’s designers thought that they, too, had been chosen to take their own projects a stage further.
This meant, effectively, that the British designers then wasted much of the winter of 1995/1996 working on further refinements of the Spiritual concept. When Rover Group’s marketing staff realized that control of this project was slipping away from them, they were so distressed that they worked up, and issues, an internal document criticizing what the Munich studios were offering instead.
The German E50, they suggested, had been styled first, and packaged second, was not thought to be an ‘Issignois way’ of doing things, was thought to be ‘only better than average’, and that it” doesn’t truly shock with innovation”.
This of course is truly fascinating considering how successful the new MINI has become. While BMW may have designed the MINI backwards (shape first, engineering second) they did an amazing job with the execution of the final car. No one can argue with the success the new MINI has found in the last 3-4 years.
The ACV 30 on the other hand traded much of the Mini’s functionality for a more aggressive, rally inspired look. Obviously the market for such a vehicle probably wouldn’t have sustained it’s sales for very long. That being said the ACV 30 was a fully drivable prototype and debuted at the 1997 Monte Carlo Rally. I was going to school in England at the time and remember the ACV 30 being all over the papers for a day or two. It was quite exciting to see a reinterpretation of the then current Mini and I think many were just happy to see an English automaker looking to the future. However BMW was keen to let everyone know that this was not the new MINI that would be debuting later at the Frankfurt Auto show in the fall.
According to Robson’s “New Mini” the ACV 30 was created by the Munich design team and was presented as one of the five ideas at that fateful autumn meeting in 1995. Interestingly this Munich team was lead by none other than Adrian Van Hooydonk, who would go on to create the current 6 and 7 series and later become head of BMW design.
Of course the team that he lost to was lead by none other than Frank Stephanson, who would go on to be head of Ferrari design.
Looking at the ACV 30 and what would become the eventual new MINI, one can’t help but get the feeling that great minds think alike. The toggle switches among other things were eerily similar on both concepts.
When viewed with the benefit of time passed they certainly are interesting concepts. However, I think it’s fair to say none would have been as successful in today’s market as well as the current MINI.
For those interested you can see a couple photos of the winning concept, the car that eventually became the current MINI, here. BTW this is one of the first MINI related sites I ever put together back in the summer of ’02 🙂
Note: A big thanks to Ian Cull who helped with some information in this article. Also it’s worth mentioning that, while this is meant to be a quick introduction into this topic, it’s certainly not the last word. Much more can be found in Graham Robson’s book “The New MINI“. It’s a must have for any serious fan of the new MINI.
<p>A new kettle of old fish….now you’ve done it.</p>
<p>Very cool…I love knowing this sort of stuff…thank you both Ian and Gabe!!!</p>
<p>Oh and Gabe, I don’t know if you’ve seen the latest issue of Motor Trend, but there’s an article about the whole GM/Fiat debacle and one tidbit in it is that Ferrari has moved Frank Stephanson off Ferrari design and he will now be heading up Fiat/Lancia design.</p>
<p>Yes I saw that. The last I heard from him, he was quite excited about the outcome of the MC12. Designing for Fiat will be quite a bit different!</p>
<p>Thanks Gabe. I’m a bit embarrassed -I did not know about much of what you wrote.</p>
<p>Gabe,</p>
<p>This reminds me of something I observed in the early 90s. I was in Berlin for a quick holiday trip, and to my surprise I saw (classic) Minis everywhere. These Minis were almost always beautifully cared for, often with racing stripes and alloy wheels and other mods. It became evident that the people of Berlin really loved the Mini.</p>
<p>This impression was confirmed later when I read an article in one of the big car mags (C&D, I think) in which a Porsche executive mentioned that the Germans love old British sports cars.
There are a lot of anglophiles in the German auto design community.</p>
<p>With this in mind, I suspect that when BMW acquired Rover, Mini was the prize they wanted. I haven’t read Graham Robson’s book so it would be interesting to see what he says about this.</p>
<p>I think the big take-away (hopefully) for some people is Chris Bangle’s involvement in the current MINI’s development. He is very much one of the reasons the current MINI has been so successful. By limiting the projects scope and focusing on a small sporty car rather than everything the classic Mini was originally, designers and engineers were put in a better position to succeed.</p>
<p>CB….OMG!</p>
<p>Cool facts Gabe… As always, these top notch mini reports and stories are why you are “the man” when it comes to mini info…</p>
<p>Why did Frank leave Ferrari? Was he booted or did he decide to leave on his own?</p>
<p>I do know that Bangle started at Fiat, so it looks like full circle has come about. <em>grin</em></p>
<p>I can see where the Rover team was thinking of a whole-concept car, something that would be a bread & butter vehicle for the masses, generating enough sales to be stable on its own as soon as possible. Rover was playing safe, even tho their concept was somewhat radical, ( VW went thru a similar stretch of flat motors in the ’70s, which also was a dead end), because they weren’t as strong enough financially to afford a niche car – thay wanted a safe concept, which admittedly, looks very similar to many small cars coming out now. </p>
<p>Rover threw out the whole Issigonis idea, tho – FWD and excellent chassis dynamics. BMW had the foresight and the excellent Frank Stephenson, who had a better grip on the term “evolutionary”, to produce a MINI that carried over the essential look of the original, combined with a more modern view of the small car. BMW also could afford a niche car if it came down to that, but obviously wasn’t going in the same direction as Rover – both design-wise an financially. The best design won, hands down, and the success of the new MINI is the result.</p>
<pre><code> BCNU,
Rob in Dago
</code></pre>
<p>Gabe, really well put together article; much kudos to you :)</p>
<p>In light of the current news with Rover, it shows you how out of it Leyland was by them trying to end the Mini. Must have been out of their mind.</p>
<p>Eric said, “it shows you how out of it Leyland was by them trying to end the Mini. Must have been out of their mind.”
What the he#@ does this mean?</p>
<p>Gabe,</p>
<p>My feeling is that the success of the MINI has far more to do with Frank Stephenson than it does Chris Bangle. If you look at the breadth of projects Chris has been involved in at BMW, you’ll see that he’s not too keen on evolution and keeping in touch with the past, as most BMW models have lost the long-running styling cues which made them BMWs. No, Frank’s vision and respect for heritage is what made the MINI a design masterpiece. And if anyone can turn Fiat around, it is Frank.</p>
<p>And I have to say I kind of like the Rover Spiritual concept car. It needs to be a little more humanized, but I think it would have been popular.</p>
<p>I don’t disagree that Frank Stephenson was one of the main reasons for the success of the MINI. I’ve always been a big supporter of his. Even the X5 (which he helped pen) is really a fantastic design. However I don’t think Chris Bangle gets his due with the current success of the car. Based on what has been written, he helped shape the project (similar to his responsibilities with BMW) which ultimately led to excellent execution by Stephenson.</p>
<p>Well, if you are correct, than it was an exception to the rule. He’s taken much more of the radical Rover approach you describe with the BMW line than the evolutionary path taken on the MINI. I can respect his contribution to the MINI program, but I am not ready to deify the man (not that I think you’re suggesting that).</p>
<p>I suppose the next question would be, who is the guy at the top who is taking the MINI down dangerous territory with the upcoming redesign?</p>
<p>I suppose my point is that a design professional doesn’t wield a single wand to solve all issues of car design. Each brand and situation call for very specific solutions. I think so many people are concerned that MINIs will suddenly start looking like BMWs, which is of course ridiculous.</p>
<p>I do disagree with your last comment though. For one I’m very excited to see what comes from the next MINI and I have no doubts that it will be even more successful than the current generation. But beyond that I’d like to give MINI designers the benefit of the doubt and not pre-judge what will be released in a year or two.</p>
<p>ME (huh?) said: “What the he#@ does this mean?”</p>
<p>What do you think it means? I didn’t mince my words.</p>
<p>This is like an Abbot and Costello routine…</p>
<p>“<em>nyuck</em>nyuck<em>nyuck</em> Why Cointinly!!!”</p>
<p>Hahaha…</p>
<p>I wonder if Frank Stephenson had anything to do with the design of the Fiat Trepiuno. Very “MINI-esque” and another fine example of updating an older classic design (the Cinquecento) while staying fairly faithful to the original.</p>
<p><a href="http://tinyurl.com/a95hn" rel="nofollow ugc">http://tinyurl.com/a95hn</a></p>
<p><a href="http://tinyurl.com/7q4rw" rel="nofollow ugc">http://tinyurl.com/7q4rw</a></p>
<p>Too bad this little gem will never make it across the Atlantic.</p>
<p>The Fiat Trepiuno concept was first displayed a few years ago, right after the smash debut of the new MINI, and before Stephenson left BMW. It’s ironic that Frank may put the final touches on an idea that he originally inspired.</p>
<p>Gabe – Well, most of my skepticism comes from the details of the new interior, which I’ve inferred from your comments to be 80% set in stone. I’m worried that without Frank around, the other designers will stray too much from the original design. I also worry about how upper management has played into this, and other decisions of manufacturing cost reduction.</p>
<p>I guess when it comes down to it, I don’t trust the BMW group to keep their hands off the MINI as much as you seem to.</p>
<p>The “Spiritual 2” looks similar to the Smart cars I’ve seen in Europe (and which are supposed to be released in the US but who knows what’s going on there). Is the one below it (with the funky ugly double head lights) the “Spiritual”?<br />
I really love the look of the ACV30! Something about its curves looks Pininfarina-ish to me. Personally, i really like the rally-style look. When I saw Gabe’s photos of the 2005 Chili Red Mini Cooper S JCW convertible featured at the Chicago Motor Show I said, “Hey, someone stole MY idea!” Heehee. Mine looks just like it, but with the chrome exterior..</p>
<p>Spiritual was the 3 door version (single headlights)
Spiritual2 was the 5 door version with the twin headlights.
The ACV30 was based on the MGF platform.</p>
<p>The spiritual concepts are more in keeping with the idea of mini. My personal feeling is that although it looks like a mini, it’s not. BMW have strayed too far from what the mini was and why it was built. It was a car built for the masses and now it’s to expensive for most people. This just shows what happens when another car firm steps in and has it’s own ideas. Unfortunatley the mini is lost forever and will never be the same.</p>
<p>I like the cars.
The website is awlsome.</p>
Looks like Frank Stephanson copied the Spiritual2 design onto the new Fiat 500. Much credit to Graham Robson and the Rover team.